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Anna E. Kaplan |
In contrast to the argument
that Berger and Mulvey make, Kaplan argues that “the gaze could be adopted by
both male and female subjects: the male is not always the controlling subject
nor is the female always the passive object” (Chandler, 2000: 41-2). She
suggests that “to own and activate the gaze, given our language and the
structure of the unconscious, is to be in the masculine position” (Kaplan,
1983: 8). Therefore, due to the constructs of a patriarchal society the
language we use reflects that it is generally men who reflect control and take
on the active role as oppose to passive.
Kaplan suggests that due to
a woman’s understanding of herself as an object of desire and her inherited
narcissistic attitude towards her appearance she is prone to develop a “male”
gaze upon herself by corresponding to the masochism revealed from the male
perspective (Kaplan, 1983: 4). She does however, explain that women do lack
some essential components in their gaze; these are the power of action and
possession and until these attributes are injected men will always dominate
control of the gaze.
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Teeth (2007) |
However, with regards to
Mulvey’s suggestion on fear of
castration, Kaplan argues that men live in fear
of the vagina
and “endeavour to find a penis” (Kaplan, 1983: 10).
However, with regards to Mulvey’s suggestion on fear of
castration, Kaplan argues that men live in fear of the vagina
and “endeavour to
find a penis” (Kaplan, 1983: 10). The fear
of the vagina is still to this day a
present threat and can be
identified in modern films, such as Teeth (2007), which
literally presents the vagina as a monster hungry for the
penis. As a result woman can be understood as a
threat
against man, suggesting that women reflect power and
control;
contradicting most theories on the gaze. Therefore,
woman can be
understood as a threat against man,
suggesting that women reflect power and
control;
contradicting most theories on the gaze.
Furthermore Kaplan (1983) argues
that evidence found in Friday’s book suggests
that some “....men wish to be taken over by an aggressive woman” (p. 5), this
suggests that some men would prefer the passive role in the relationship as
appose to the active. It can therefore be argued that in obtaining these ‘feminine’
attributes they are placed in the position of the receiver of the male gaze. My
question is, does this then indicate that there is a possibility of a ‘female’
gaze? This is something that I will further explore in my analysis of Carter’s
work, particularly her suggested argument highlighted in ‘The Tiger’s Bride’.
On the question of the female gaze, I urge you to watch the film Charulata by the Indian director Satyajit Ray. There, he attempts to create the female gaze. It's on youtube. Great analysis by the way.
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